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  • Rosario Bellini, Tantum ergo a tre voci di Soprano con Organo
     
     Rosario Bellini, Tantum ergo a tre voci di Soprano con Organo, Edited by Francesco Maria Paradiso. Rosario Bellini (1775-1829) continues to be in the history as 'lucky father of a genius'. The genius was Vincenzo, the composer of Sonnambula, Norma and I Puritani. The Tantum ergo is evidence of Rosario Bellini as Maestro di Cappella, author of sacred music and member of a family of highly regarded musicians: the Bellini, a family of active composers in Catania for almost a century between the end of the eighteenth century and the nineteenth century. http://www.francescoparadiso.com/rosario-bellini-tantum-ergo-a-tre-voci-di-soprano-con-organo-2.html?lang=en
  • Mathiria
     
     MATHIRIA (2006) for two Tam-tam, five soloists (fl., tb., pf., vn., cello), Symphony orchestra and Live electronics  http://www.francescoparadiso.com/mathiria.html?lang=en
  • PIETRO BRANCHINA, CAPRICCIO PER ORGANO A UNO O A DUE MANUALI OP.168
     
     Pietro Branchina, Capriccio per organo ad uno o due maniali op. 168. Edited by Francesco Maria Paradiso Dom Pietro Branchina (1876-1953) was composer of sacred and liturgical music during the first part of twentieth century. Capriccio per organ for one or two keyboards op. 168 and dedicated to Alessandro Gasperini organist of the monumental organ Tamburini into the Duomo of Messina, is real an original instrumental piece into the production of Pietro Branchina. [...] http://www.francescoparadiso.com/pietro-branchina-capriccio-per-organo-a-uno-o-a-due-manuali-op-168.html?lang=en
  • ICONI (Pathetische suite)
     
     ICONI (Pathetische suite (1999), for Organ. Three organ pieces freely inspired at the images of the crucifixes by William Congdon, painter which took part at experiences of the Action painting. Prologo drammatico, Recitativo e canone sopra 'O crux, ave, spes unica', Finale lirico are icons painted with sounds. First performance Chiesa S. Pietro Martire, Monza 29th March 1999 Francesco Maria Paradiso, organ http://www.francescoparadiso.com/iconi-2.html?lang=en
  • COMO CANCIÒN DE TIERRA Y MAR
     
     Como canciòn de tierra y mar’ (2008), for clarinet in sib/bass cl., Live electronics interaction, digital sound file and ambisonic surround system. The composition is inspired by the Ladàta: an original musical text that belongs to the repertoire of traditional songs for more voices of Sicily. The work was composed for the residence of composition at the Institute for Computer Music and Sound Technology (ICST) – Zürich (CH) First performance X. Weimarer Frühjahrstage für zeitgenössiche Musik
Weimar (D), 17th April 2009
 Lukas Vogelsang, clarinet http://www.francescoparadiso.com/como-cancion-de-tierra-y-mar-2.html?lang=en
  • Waveforms (Forme d'onda)
     
     Waveforms (Forme d’onda) (2005-2006), for prepared vibraphone. The main goals of the work were to create new sound-colours on Vibes, a synthesis of more complex timbres with the addition of definite and indefinite pitch instruments (in this case Crotales and Cowbells), new effects in connection with unusual or new techniques of performance, form and notation of the composition.[...] First performance Lucerne Festival 2006 Lucerne (CH), 20th September 2006 Domenico Carlo Melchiorre, vibraphone  http://www.francescoparadiso.com/waveform.html?lang=en