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  • GIUSEPPE GEREMIA, SUONATA DI CEMBALO
     
     Giusppe Geremia, Suonata di cembalo. Edited by Francesco Maria Paradiso. Giuseppe Geremia (1732-1814) was the first musician into the musical history of Catania (Sicily). The piece is a composition that is possible to perform also at organ. Suonata di cembalo is evidence of Giuseppe Geremia as composer possessing of a real talent. http://www.francescoparadiso.com/giuseppe-geremia-suonata-di-cembalo-2.html?lang=en
  • Profili d'onda
     
     Profili d’onda (2007), for prepared vibraphone and electronics (digital sound file). The title of the composition refers to the relation constructed in the work with the definite and symmetric motion of the most common forms of sound wave: the Sine wave, Square, Triangle, Saw-tooth wave. The graphic representation of four waveforms is used to build the profile of dynamics into three main parts, the graphic panels of the composition. [...] First performance Internationale Gesellschaft Für Neue Musik-Basel (IGNM) ‘Dialogpartner Xenakis’, Basel (CH), 22th May 2007 Domenico Carlo Melchiorre, vibraphone http://www.francescoparadiso.com/profili-donda-2.html?lang=en
  • Cicli: creatività condivisa in rete
     
     Free Organ compositions downloads http://www.francescoparadiso.com/cicli-creativita-condivisa-in-rete-4.html?lang=en
  • Waveforms (Forme d'onda)
     
     Waveforms (Forme d’onda) (2005-2006), for prepared vibraphone. The main goals of the work were to create new sound-colours on Vibes, a synthesis of more complex timbres with the addition of definite and indefinite pitch instruments (in this case Crotales and Cowbells), new effects in connection with unusual or new techniques of performance, form and notation of the composition.[...] First performance Lucerne Festival 2006 Lucerne (CH), 20th September 2006 Domenico Carlo Melchiorre, vibraphone  http://www.francescoparadiso.com/waveform.html?lang=en
  • Monologhi
     
     Monologhi (2001), for fl./bass fl. and piano. Streams of sound events, created in a indipendent way, are performed by two different instruments. The two parts change with the time, like two characters or two molologs - 'Sul blu', 'Sul giallo' infact it is clear the synthetic interest -. The theme of the composition is the passage from the sonorous conctat to the being, the creation of a unique entity of sound during the listening time. The third part - 'Sul rosso'- come back to the music, to the meter, to the coordination, to an emotion expressed by math. First performance Herrenhaus Edenkoben (D) 19th May 2002 Dagmar Becker, flauto, Fritz Schwingammer, piano http://www.francescoparadiso.com/monologhi-2.html?lang=en
  • Toccata-fantasia
     
     Toccata-Fantasia super Salve Regina (1995), for Organ. The piece is a composition for an instrument with two keyboard and pedal, which may well be performed on a instrument with one keyboard of the italian tradition of nineteenth-century. For the first performance - XIV Organ Review on historical organs of the bergamasco area - the mechanical and phonic characteristics of the Serassi organ 1867 of the Church of Osio Sopra (BG) were found appropriate for an effective and easy performance. First performance Chiesa di Osio sopra (BG) - Serassi's organ 1867 29th April 1995 Francesco Catena, organ  http://www.francescoparadiso.com/toccata-fantasia-6.html?lang=en