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  • Frammento ungherese
     
     Frammento ungherese (2002), for piano. '[…] sarkaìg ès a Sziven' ('[…] poi avanti lungo il Cuore') Endre Kukorelly da JARAS (CAMMINATA), 1990 First performance Herrenhaus Edenkoben (D), 19th May 2002 Fritz Schwingammer, piano http://www.francescoparadiso.com/frammento-ungherese-7.html?lang=en
  • Mathiria
     
     MATHIRIA (2006) for two Tam-tam, five soloists (fl., tb., pf., vn., cello), Symphony orchestra and Live electronics  http://www.francescoparadiso.com/mathiria.html?lang=en
  • Elettromorfosi
     
     ELETTROMORFOSI (2009-2010) sound samples of electric machines electronically processed ‘I take it that music is the art most fit to express the fine quality of machines. Machines are now a part of life, it is proper that men should feel something about them; there would be something weak about art if it couldn’t deal with this new content’. Ezra Pound, Antheil and the Treatise on Harmony, New York 1968. http://www.francescoparadiso.com/elettromorfosi-4.html?lang=en
  • Forme d'intensità
     
     Forme d’intensità (2007), for fl., cl.sib/cl. basso, vib., gong, sixen e perc. di metallo, vn. The amplitude [or intensity] with time and frequency is one of the basic parameters through which is possible a complete description [though not the only 'method' conceivable] of the behavior of a sound. This is a convention. For example, while time influences the intensities, these one may also condition the perception of time and this is in a [logic] attempt to turn the intensities into forms. First performance Internationale Gesellschaft für Neue Musik (IGNM) - Basel (CH) Sala Gare du Nord Basel, 22th May 2007 Ensemble Laboratorium http://www.francescoparadiso.com/forme-dintensita.html?lang=en
  • Profili d'onda
     
     Profili d’onda (2007), for prepared vibraphone and electronics (digital sound file). The title of the composition refers to the relation constructed in the work with the definite and symmetric motion of the most common forms of sound wave: the Sine wave, Square, Triangle, Saw-tooth wave. The graphic representation of four waveforms is used to build the profile of dynamics into three main parts, the graphic panels of the composition. [...] First performance Internationale Gesellschaft Für Neue Musik-Basel (IGNM) ‘Dialogpartner Xenakis’, Basel (CH), 22th May 2007 Domenico Carlo Melchiorre, vibraphone http://www.francescoparadiso.com/profili-donda-2.html?lang=en
  • Elettromorfosi
     
     ELETTROMORFOSI (2009-2010) sound samples of electric machines electronically processed ‘I take it that music is the art most fit to express the fine quality of machines. Machines are now a part of life, it is proper that men should feel something about them; there would be something weak about art if it couldn’t deal with this new content’. Ezra Pound, Antheil and the Treatise on Harmony, New York 1968. http://www.francescoparadiso.com/elettromorfosi-2.html?lang=en